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Exhibitions 2014

May 24−November 09, 2014
Beuys Brock Vostell

An exhibition at the ZKM | Museum of Contemporary Art
Opening: Fri, May 23, 2014, 7 p.m.

Closed until Thursday, July 27, 2014!

Information auf Deutsch
Early Positions of Performativity
Guided Tours with Bazon Brock

Joseph Beuys, Bazon Brock and Wolf Vostell, the three most important German Action artists of postwar modernity, will be presented for the first time together in a large-scale group exhbition. The artists, all of whom were friends and who ap- peared together at important actions and exhibitions throughout the 1960s, evolved their own unique style-defining approaches, thereby pursuing the radical emancipation of the individual and the reform or revolution of life. A new perspective on performa- tive arts is evolved by way of the joint presentations of these three different approaches to performativity, today courted in all museums of the world.

The exhibition shows that, each in their own way, the three action artists created influential and formative stylistic approaches to performativity, and contributed to the formation of an augmented concept of the work – such as sculpture as action and the inclusion of the public. It becomes apparent, furthermore, that all three artists share a common thematic focal point in their critical assessment and treatment of the Second World War and its ramifications. A further aspect shared by Joseph Beuys, Bazon Brock and Wolf Vostell that becomes understandable in the exhibition, is the new definition of teaching. The three artists con- ceived of teaching as the art of performance the core of which was mediation and enlightenment, action and agitating as well as discourse and demonstration. Initiated by actions, images and discourse, a trans- formation of viewer consciousness is then achieved which leads to the radical emancipation of the individual. Accordingly, civil society and democracy constitute the core of Beuys’, Brock’s and Vostell’s actions and demonstrations. Whereas artists of the 1950s attributed greater significance to the past, especially to the Holocaust, their common con- cerns during the 1960s were the conception of social utopias – even though their various approaches towards this mutual goal took very different forms.

Curator: Peter Weibel
Co Curator: Eckhart Gillen
In cooperation with: Eva Beuys, Bazon Brock, Mercedes Vostell and others
Research: Daria Mille
Assistance: Sarah Happersberger

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Fri−Sat, June 27−28, 2014, each 9.30 p.m.−6.30 p.m., ZKM_Ciube, admission free
Beuys Brock Vostell. Early Positions of Performativity

A symposium is scheduled to take place as part of the exhibition in which participants focus their attention to the performative aspect in the artistic work of the three Action artists. What possibilities exist for description, documentation, contextualization and museum presentation for these forms of performative expression? The contributions by Siegfried Zielinski, Ursula Frohne and Christian Katti, Sven Lindholm, Petra Maria Meyer, Monika Schmitz-Emans, Christoph Zeller, Ulf Jensen and many more, shed light on the Actions of the three artists by way of shared themes, and show parallels and differences of artistic self-expression in their works and in their approaches to spectators.

Fri, June 27, 2014, 7 p.m., ZKM_Cube, admission free
Panel Discussion
with Gabor Altorjay, Inge Baecker, Fritz Emslander, Peter Iden, Isabelle Malz
Moderation: Andreas Beitin and Eckhart Gillen

Download: BBV_Symposium_20140614.pdf

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Guided Tours with Bazon Brock
During the exhibition there will be special guided tours with Bazon Brock:

Friday, September 5, 2014, 4 p.m.
Friday, September 19, 2014, 4 p.m.
Friday, October 31, 2014, 4 p.m.

Costs for the guided tour are 2 € per person. The entrance to the museum will be free of charge.

Sponsored by:



Partner of the Exhibition:


- subject to change -

Photo 1: Bazon Brock during the Festival der Neuen Kunst, July 20, 1964
© photo: Peter Thomann, © Bazon Brock
Bild 2: Joseph Beuys and Wolf Vostell during the Festival der Neuen Kunst, July 20, 1964
© photo: Peter Thomann, © Estate of Joseph Beuys / VG Bild-Kunst, Bonn 2014, © The Wolf Vostell Estate / VG Bild-Kunst, Bonn 2014

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