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Events 08 | 2013

Mon−Wed, August 19−21, 2013
Methodologies of Sound Art Curating / Curating Sound

Seminar with Morten Søndergaard
In the context of the series "Sound Art Curating / Curating Sound − Methodologies, Histories, Theories, Archives, Interactions"

ZKM_Lecture Hall, admission free, registration required under: mortenson@hum.aau.dk

Information auf Deutsch
Program

Over the last decade, many interesting new methodologies have emerged within the field of sound art curating / curating sound. These methodologies are tied up with the creative use of digital technologies and computational techniques such as physical and tangible computing. More specifically, interactive art and design seem to offer a promising new potential for letting an audience experience and interact with sound objects (tangibly, bodily, etc.) and in that way acquire insight and knowledge about them. The seminar at the ZKM focuses on the methodologies, histories, theories and practices of sound art curating.

The seminars, which take place in 2013 and 2014 will present an opportunity to focus on the increasing use of interactive art and design for curatorial purposes, which is transforming the curator’s role into a hybrid function placed between art, science and social technology.

Program
Mon, August 19, 2013
4 p.m.–4.30 p.m.: Welcome speech and introduction with Morten Søndergaard and Lanfranco Aceti
4.30 p.m.: Keynote N.N.
5.30 p.m.: Break
6 p.m.: Concert # 1 − Anders Monrad
7.30 p.m.: Dinner

Tue, August 20, 2013
10.00 Uhr: Curational Methodologies
Mark Jackson: The Tape Experiments of William S. Burroughs as Curatorial Methodology
Budhaditya Chattopadhyay: Subject-oriented Sound Art. The Curious Case of Auto-Curating
11.15 a.m.: Break
11.30 p.m.: Practice Session #1
Ludger Brümmer: Curating sound and music in the context of research and technology
12.30 p.m.: Break
1.30 p.m.: Artistic Curating / The Artist as Curator
Peter Gyselinck: Sound Art − The Perspective of an Artist

Daniele Balit: Curating Sound: Issues Displaying Sonic Art
2.45 p.m.: Coffee Break
3 p.m.: Practice Session #2
Anders Monrad: Algorithmic composing
3.45 p.m.: Break
4 p.m.: Panel discussion with
Ludger Brümmer, Lanfranco Aceti, Morten Søndergaard

Wed, August 21, 2013
09.30 a.m.: Sound/Vision/Display
Justyna Burzynska: Curating Sound: A London perspective
Irene Noy: Seeing in order to hear. Early Curatorial Practices in West Germany
Christian Hviid Mortensen: Embodied Tunig. Interfacing the Danish Radio Heritage
11 a.m.: Practice Session #3
Martin Luckmann/Morten Søndergaard: POEX tape
12.15 p.m: Visit to Exhibitions
1.30 p.m.: Lunch and Goodbye

For more information, please see: www.soundartcurating.org

The seminars are organized by LEA and LARM Infrastructure Project (www.larmarchive.org). In close cooperation with Kunsthal Aarhus, ZKM, Goldschmiede, the Courtauld Institute, The University of Westminster and OCR (Operational and Curatorial Research).


- subject to change -

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