Deleuze and the Arts
Gilles Deleuze [1925-1995] was more than a university professor who read widely and wrote comparatively little. He was a philosopher who, as his life came to an end, asked: what is philosophy? In what respects does it differ from art and science? Is it an art in its own right that invents concepts?
Repetition and Difference
Motto: »One day the century may be Deleuzian.« [Michel Foucault]
Presentations - Exhibition - Film - Programme - Concerts
Festival :: Oct. 24 - Oct. 26, 2003
Exhibition :: Oct. 24 - Dec. 7, 2003
-> Program survey
-> Concerts, Film Programme, Exhibition Opening
-> Information in Deutsch
Rhizomatics, nomadology, wishing machines, non-organic life, deterritorialisation, »agencement« [assemblage] are all terms that Deleuze coined. Or do they stem from his friend, Félix Guattari [1930-1992], who co-authored his key works?
Philosophy is friendship. Deleuze philosophises with friends and writes books with them and about them: Spinoza, Leibniz, Hume, Kant, Nietzsche, Bergson, Foucault... But they don't have to be philosophers since he was just as fond of poets, composers and artists: Melville, Proust, Kafka, both the Lawrences, Carroll, Artaud, Beckett, Luca..., Bacon, Klee..., Godard, Resnais, Welles..., Boulez, Schumann, Berio.
It is astonishing just how much he assimilated and how precise he was in the process: mathematics, pop, psychoanalysis, film, electronic music... Those who pin their hopes on friendship also see themselves as opponents: anti-Oedipus, anti-Hegel, anti-Wittgenstein... Deleuze has a seductive way of philosophising, he straddles the boundaries of science, the university and academic style. He sympathises with the arts while at the same time making a major effort to renew philosophy and liberate it from the power of opinions, propositions and functions.
Art cannot be produced by means of neuroses, affections, perceptions and opinions. The artist is a doctor, not a patient.
Deleuze calls art a sensory block consisting of percepts and affects, and the arts he uses to illustrate this are literature, painting, music, film, theatre, opera, architecture and Beckett's television plays.
While the book What is Philosophy? is motivated by a didactic Eros, his concern with arts is designed to benefit their poetics.
This festival is the third event in the ZKM series on Art and Philosophy. The presentations given at last year's festival, »Michel Foucault and the Arts – Problems of a Genealogy«, will be published by Suhrkamp Verlag, Frankfurt, in April 2004.
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