ZKM_Publikationen
Martin Rieser, Andrea Zapp (Hg.):
New Screen Media. Cinema/Art/Narrative
Eine Publikation des The British Film Institute (BFI), London und des Zentrums für Kunst und Medientechnologie (ZKM) Karlsruhe, Januar 2002
Führende Theoretiker und Künstler diskutieren eine neue Kultur von Narration und Drama, mittels kritischer Betrachtung der sozialen, politischen und kulturellen Zusammenhänge, sowie der eigenen interaktiv - erzählerischen Praxis.
Die begleitende DVD enthält bis zu 4 Gigabytes Video, Illustrationen und Analyse wegweisender digitaler Kunstwerke.
Paperback ISBN 0851708641, Hardback ISBN 085170865X
Inhaltsverzeichnis ::
Preface
by Timothy Druckrey
Foreword
An Age of Narrative Chaos?
Structural Overview:
Cinema, Art and the Reinvention of Narrative
° Part 1 Orientations: History and Theory
Definitions
Sean Cubitt : »Spreadsheets, Sitemaps and Search Engines«
Why Narrative is Marginal to Multimedia and Networked Communication, and Why Marginality is More Vital then Universality
Paul Willemen : »Reflections on Digital Imagery«
Of Mice and Men
Origins
Söke Dinkla: »The Art of Narrative and the Floating Work of Art«
Peter Weibel: »Narrated Theory: Multiple Projection and Multiple Narration«
(Past and Future)
Annika Blunck: »Towards Meaningful Spaces«
Lev Manovich: »Computerisation and Film Language«
Convergence
Andrea Zapp: »net.drama:// myth/mimesis/mind_mapping/«
Alex Butterworth and John Wyver: »Interactive or Inhabited TV«
Broadcasting for the 21st Century
Chris Hales: »New Paradigms<>New Movies«
Interactive Film and New Narrative Interfaces
Beyond Narrative?
Ken Feingold: »The Interactive Art Gambit«
Jon Dovey: »Notes Toward a Hypertextual Narrative Theory«
Martin Rieser: »The Poetics of Interactivity«
The Uncertainty Principle
Eku Wand: »Interactive Storytelling«
The Renaissance of Narration
Grahame Weinbren: »Mastery (Sonic C’est Moi)«
° Part 2 Explorations: A New Practice
Restructuring Time
Jill Scott: »Crossing and Collapsing Time«
Re-constructing (Her) Historical and Ideological
Film Narratives on a Transformed Stage
Toni Dove: »The Space Between«
Telepresence, Re-animation and the Re-casting of the Invisible
Redefining Space
George Legrady: »Intersecting the Virtual and the Real«
Space in Interactive Media Installations
Malcolm Le Grice: »Dream Time and Digital Media«
Computers, Cinema and the Transformation of Authorship
Bill Seaman: »Recombinant Poetics«
Emergent Explorations of Digital Video in Virtual Space
Beyond the Screen
Luc Courchesne: »The Construction of Experience«
Turning Spectators into Visitors
Jeffrey Shaw: »Movies after Film«
The Digitally Expanded Cinema
Merel Mirage: »Emotions Encoded«
The Personalised Interface
Zoe Beloff: »An Ersatz of Life«
The Dream Life of Technology
Michael Buckley: »The Good Cook«
A Vertical Axis versus a Horizontal Axis in Interactive Narrative Construction
Graham Harwood: »Mongrel’s National Heritage«
Reporting the Experience
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