ZKM_Publications
Martin Rieser, Andrea Zapp, (eds):
New Screen Media. Cinema/Art/Narrative
A publication by The British Film Institute (BFI), London, and the Center for Art and Media (ZKM) Karlsruhe, January 2002
Leading theorists and artists are discussing a new culture of narrative and drama, critically examining the social, political and cultural contexts as well as their own practice of fiction-based forms of interaction.
The accompanying DVD provides up to 4 Gigabytes of video, illustration and analysis of groundbreaking digital artwork.
Paperback ISBN 0851708641, Hardback ISBN 085170865X
Contents ::
Preface
by Timothy Druckrey
Foreword
An Age of Narrative Chaos?
Structural Overview:
Cinema, Art and the Reinvention of Narrative
° Part 1 Orientations: History and Theory
Definitions
Sean Cubitt : »Spreadsheets, Sitemaps and Search Engines«
Why Narrative is Marginal to Multimedia and Networked Communication, and Why Marginality is More Vital then Universality
Paul Willemen : »Reflections on Digital Imagery«
Of Mice and Men
Origins
Söke Dinkla: »The Art of Narrative and the Floating Work of Art«
Peter Weibel: »Narrated Theory: Multiple Projection and Multiple Narration«
(Past and Future)
Annika Blunck: »Towards Meaningful Spaces«
Lev Manovich: »Computerisation and Film Language«
Convergence
Andrea Zapp: »net.drama:// myth/mimesis/mind_mapping/«
Alex Butterworth and John Wyver: »Interactive or Inhabited TV«
Broadcasting for the 21st Century
Chris Hales: »New Paradigms<>New Movies«
Interactive Film and New Narrative Interfaces
Beyond Narrative?
Ken Feingold: »The Interactive Art Gambit«
Jon Dovey: »Notes Toward a Hypertextual Narrative Theory«
Martin Rieser: »The Poetics of Interactivity«
The Uncertainty Principle
Eku Wand: »Interactive Storytelling«
The Renaissance of Narration
Grahame Weinbren: »Mastery (Sonic C’est Moi)«
° Part 2 Explorations: A New Practice
Restructuring Time
Jill Scott: »Crossing and Collapsing Time«
Re-constructing (Her) Historical and Ideological
Film Narratives on a Transformed Stage
Toni Dove: »The Space Between«
Telepresence, Re-animation and the Re-casting of the Invisible
Redefining Space
George Legrady: »Intersecting the Virtual and the Real«
Space in Interactive Media Installations
Malcolm Le Grice: »Dream Time and Digital Media«
Computers, Cinema and the Transformation of Authorship
Bill Seaman: »Recombinant Poetics«
Emergent Explorations of Digital Video in Virtual Space
Beyond the Screen
Luc Courchesne: »The Construction of Experience«
Turning Spectators into Visitors
Jeffrey Shaw: »Movies after Film«
The Digitally Expanded Cinema
Merel Mirage: »Emotions Encoded«
The Personalised Interface
Zoe Beloff: »An Ersatz of Life«
The Dream Life of Technology
Michael Buckley: »The Good Cook«
A Vertical Axis versus a Horizontal Axis in Interactive Narrative Construction
Graham Harwood: »Mongrel’s National Heritage«
Reporting the Experience
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