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Olafur Eliasson



Olafur Eliasson: Surroundings Surrounded. Essays on Space and Science, edited by Peter Weibel, Neue Galerie, Graz, Austria and ZKM_Karlsuhe, Germany.
my now is your surroundings Ė process as object. Olafur Eliasson, Verlag der Buchhandlung Walther König, Köln.
Miriam Bers, »Berlin, from neo pop to cross culture«, in: tema celeste,January| February 2001, S 70-75.
Your only real thing is time, Institute of Contemporary Art, Boston, USA [with texts by Jill Medvedow Plaut, Lars Lerup, Jessica Morgan].


Barbara Hess, »Nase im Wind«, in: Texte zur Kunst, 39, September 2000, S. 189-196.
Katrina Brown, »If the eye were not sun-like, the sunís light, it would not see« and Russell Ferguson, »Freezing and Melting«, in: Your position surrounded and your surroundings positioned, Dundee Contemporary Art, Dundee, UK.
Ralf Christofori, »The Vitality of Non-Orthogonal Abstraction«, in: Raumkörper, Kunsthalle Basel, Basel, Schweiz.
Andreas Spiegl, »Olafur Eliasson, Non-Trueness as the Nature of Theatre«, in: Afterall, 2, 2000, S. 99-106.
Gertrud Sandquist, »Olafur Eliasson«, in: Afterall, 2, 2000, S. 107-110.
Maren Lübbke, »Olafur Eliasson: Surroundings Surrounded«, in: Camera Austria, 71, 2000, S. 61.
Markus Wailand, »Olafur Eliasson, Neue Galerie Graz«, in: Frieze, S. 127-128.
Rochelle Steiner, »Wonderland«, in: Wonderland, St. Louis Museum of Art, St. Louis, USA.
James Rondeau, The Art Institute of Chicago, Chicago, USA.
Edward Leffingwel, »Carnegie Ramble«, in: Art in America, March 2000, S. 86-93.
Joshua Decter, »Panorama 2000«, in: Flash Art, January-February 2000, S. 43, 112.


Carnegie International 1999| 2000, essay by Madeleine Grynsztejn, Curator, S. 32, 33, 70, 102.
Michael Brenson & Madeleine Grynsztejn, »Fact and Fiction«, in: Artforum, September 1999, S. 67-70.
David Birnbaum & Peter Nilsson, Like Virginity, Once Lost: Five Views on Nordic Art Now, 1999, S. 74.
Burkhard Riemschneider & Uta Grosenick, Art at theTurn of the Millenium, Taschen, Cologne, 1999, S. 144-145.
Edward Leffingwell, »Report From Sao Paulo: Cannibals All«, in: Art in America, May 1999, S. 48-55.
Photography from the Martin Z. Margulies Collection, The Art Museum at Florida International University, Catalogue, S. 28.


Jan Verwoert, »Berlin Biennale«, in: Frieze, Issue 44, January-February 99, S. 91-92.
Márica Fortes, »XXIV Sao Paul Biennal«, in: Frieze, Issue 44, January-February 99 S. 87-88.
Francesco Bonami, »Olafur Eliasson«, in: Cream: Contemporary Art in Culture, London, Phaidon, 1998, S. 104-107.
Simon Grant, »Olafur Eliasson«, in: Every Day, Catalogue for the 11th Biennale of Sydney, S. 90-91.
Christian Haye, »The Iceman Cometh«, in: Frieze, May 1998, S. 62-65.
Sophie Berrebi, »Nuit Blanche, Musee díArt Moderne de la Ville de Paris«, in: Frieze, May 1998, S. 88-89.
Gregory Volk, »On the Edge. Olafur Eliasson: Fire and Iceland«, in: Artnews, April 1998, S. 200.
Daniel Birnbaum, »Openings: Olafur Eliasson«, in: Artforum, April 1998, S. 106-107.
Jan Winkelmann, »Project: Olafur Eliasson«, in: Art + Text, February|April 1998, S. 44-49.
Olafur Eliasson & Barbara Steiner, »Gegen die Zeit gehen«, in: Kunst Bulletin, January| February 1998, S. 10-17.


Jonathan Crary, »Visionary Events«, in: the curious garden, Kunsthalle Basel, Basel, Switzerland, S. 43-49.
Roxana Marcoci & Diana Murphy, Eve Sinaiko, eds., New Art, Harry N. Abrams, New York, 1997, S. 51.
Charles Dee Mitchell, »Reports From Santa Fe: New Narratives«, in: Art in America, November 1997, S. 43-47.
Hans Rudolf Reust, »Reviews«, in: Artforum, Summer 1997, S. 146.


Christiane Schneider, »Olafur Eliasson«, in: Frieze, January|February 1996, S. 77.
Francesco Bonami, »Olafur Eliasson«, in: Flash Art, May|June 1996, S. 105.
John Rapko, »'Glow' at New Langton Arts«, in: Artweek, July 1996, S. 20.
P. C. Smith, »Olafur Eliasson at Tanya Bonakdar«, in: Art in America, December 1996, S. 92-93.


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